The next morning, Margareth is abandoned by the squire, and finds Father Suryn holding the bloodied axe. At night, reasoning that the only way to save the abbess is by doing Satan's bidding, Father Suryn grabs an axe and kills Kaziuk and Juraj, another stableman. In the meantime Sister Malgorzata leaves the convent and becomes Margareth after falling in love with Chrząszczewski ( Stanisław Jasiukiewicz), a squire who visits the inn.Īfter a failed meeting takes place between Father Suryn and the local rabbi (also played by Voit), the priest re-enters the convent and receives Mother Joan's demons through his love for her. Mother Joan tries to seduce Father Suryn, begging him to make her a saint. Soon after, however, the demonic possession increases. The villagers at the inn are curious about the convent's troubled past and do everything to keep track of its developing story, with the stableman, Kaziuk ( Jerzy Kaczmarek), leading Father Suryn around and asking the only non-possessed nun Sister Malgorzata ( Anna Ciepielewska) for stories when she makes her nightly visits to the inn.Īfter Father Suryn learns that Mother Joan is possessed by eight demons, he and several other priests, during an exorcism, manage to exorcise the abbess. Already four priests before Father Suryn have tried to exorcise Mother Joan, but without success. The next day, Father Suryn sets out for the convent, where he meets the abbess, Mother Joan ( Lucyna Winnicka), said to be the most possessed of all the nuns. He has been sent to investigate a case of demonic possession at the nearby convent after the local priest, Father Garniec, was burnt at the stake for sexually tempting the nuns. A priest, Father Józef Suryn ( Mieczyslaw Voit), arrives at a small inn for a night's rest. The story takes place in and around a seventeenth century Polish convent. The film won the Special Jury Prize at the 1961 Cannes Film Festival. Mother Joan of the Angels ( Polish: Matka Joanna od Aniołów, also known as The Devil and the Nun) is a 1961 Polish art film on demonic possession, directed by Jerzy Kawalerowicz, based on a novella of the same title by Jarosław Iwaszkiewicz, loosely based on the 17th century Loudun possessions.
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